49 Donkeys Hanged by Carl Grose – The Drum, Theatre Royal Plymouth
I was very excited to see 49 Donkeys Hanged as I’ve been involved in the production since I first began my placement at TRP. I should stress that by involved I mean I did some low level admin type stuff for it. But I’d read the script ages ago, seen the design models develop and read all the rehearsal reports. I thought it was shaping up to be something special and I was right.
The Drum has had all of its seats removed, replaced by scattered hay bales to draw us into the strange world of Bosanko Farm. The play is a promenade piece, so you can follow the action around and get as up close as you want. Some chose to sit on the strewn hay bales but for me, the ability to move around and change vantage point made for a great experience. Inspired by a headline Carl Grose saw whilst traveling in South Africa, the play takes place on a run-down farm in Ventongimps, Cornwall. The characters are closely married to their Cornish environment with local references and in jokes aplenty – unsurprising given that Carl Grose himself is Cornish. We follow the tale of Stanley Bray, a struggling farmer mysteriously compelled to commit the strange task of hanging 49 donkeys. He is as confused about why as we are. Bray’s wife, Joy hasn’t left the house for 30 years following the disappearance of their son Bobby. The two threads of the plot come together in a surprising twist, raising questions about storytelling itself and who really owns our histories.
Despite the gruesome title the play is hilarious, with particularly strong comic performances from Will Hartley as Carl Grose and Ed Gaughan as Stanley Bray. The Drum is choc full of atmosphere and music provided by Dom Coyote (roving the audience as Randy Williams) will be caught in your head for days.
It’s such a fun piece, highly recommend you see it!
49 Donkeys Hanged also had a writer’s response evening. Following Thursday’s performance Theatre Royal presented three short response pieces. The evening came about following a call out to local writers. Eleven responded and were invited to see the play, with 48 hours to write their own ‘response’ piece. Writers chose to interpret the idea of a response in many different ways, from introducing the characters to new environments, suggesting what may have occurred in the future for Grose’s characters, to creating entirely separate pieces inspired by the play’s themes. From these submissions, three were chosen to be performed by the 49 Donkeys Hanged actors.
The chosen pieces were some of the ones who had opted for entirely separate stories. The three plays were very impressive, particularly given the limited turnaround time the writers had. It was interesting to see what people perceived the play’s strongest themes to be. The writers chosen were Sam Parker, Mich Sanderson and Alex Robins. By chance, all three of those chosen have been involved with TRP’s LAB company scheme, which I think demonstrates the strength of the talent TRP is nurturing. It was a great end to the evening and something I really hope we continue to do.